With its highly intuitive user interface, five-step workflow, and powerful image stitching technology, Stitcher enables you to merge your images in just a few clicks.

In addition, Autodesk Stitcher interoperates with Adobe® Photoshop® software and offers support for industry-standard image, web, and video file formats, including high dynamic range images (HDRI).

Five-Step Stitcher Workflow

• Image import—Autodesk Stitcher Unlimited 2009 is compatible with a variety of lenses, from 185-degree fish-eye to rectilinear formats. Use of fish-eye lenses allows artists to create fully spherical panoramas with fewer images. Stitcher Unlimited also supports HDR image import and generation, and import of existing panoramas.
• Stitching—Create partial or spherical panoramas in just a few clicks. Autodesk Stitcher Unlimited allows automatic stitching of overlapping pictures shot from a single point of view.
• Alignment—In addition to automating the photo stitching process, Autodesk Stitcher Unlimited delivers automatic alignment. There is also an option for manual alignment.
• Touch-up—Quickly remove artifacts and correct anomalies such as ghosting and lens flare with the Stencil toolset. In addition, a high level of interoperability with Photoshop image-editing software makes it easy to retouch images in this industry-standard package as well. Autodesk Stitcher Unlimited also delivers automatic color correction.
• Rendering—Render your whole panorama or use the Crop tool to define a specific render zone. Projection modes include flat, spherical, cylindrical, or cubical.

Features & Specifications

Autodesk Stitcher Unlimited 2009 photo stitching software introduces powerful, new creative tools and functionality to enable you to quickly create wide-angle images and panoramas for engaging virtual tours, interactive 3D web content, large-format panoramic prints, and seamless matte paintings.
Highlights of Autodesk Stitcher Unlimited 2009

* Automatic photo stitching engine—Create partial or full spherical panoramas in just a few clicks. All the steps can be automated: stitching, alignment, and color correction.
* Double shot—Stitch together images taken with a two-shot fish-eye lens. This enables you to create fully spherical virtual tours with only two pictures.
* Image-based lighting—Create exceptionally high-quality environment maps and panoramas through support for EXR and HDR input and output.
* Hotspot support—Create Apple® QuickTime® VR application program hotspots and links integrated within a panorama that reference another panorama.
* Tripod cap—Cover up the tripod in your image with an image of your own.
* GPU acceleration—Autodesk Stitcher Unlimited 2009 is optimized to take advantage of graphics card graphics processing units (GPUs) to preview rendering in the main viewport. The GPU is now also used to accelerate final renders.
* Selectable rendering area—Use the crop tool to precisely select an area to be rendered. This tool can be used while in full-screen mode.
* New user interface and workflow—Stitcher Unlimited 2009 has been given a new look and feel through a redesigned user interface, including new icons and a new palette to manage thumbnails more efficiently.

More information

Autodesk Seek indexes and categorises content from a wide variety of sources including data from content aggregator partners, your product libraries, and existing Revit and AutoCAD building product libraries. Once found, design files can be easily dropped directly into a building model or drawing, reducing the need to recreate individual components in the design. This embedded search functionality is now available in the 2009 U.S versions of Autodesk’s Revit Architecture, Revit Structure, and Revit MEP, as well as AutoCAD, AutoCAD Architecture and AutoCAD MEP.

As a manufacturer of building products, you can become a valued participant in the Autodesk Seek community, which strives to provide a forum for designers to communicate with each other, share design files and take advantage of the wealth of product information consolidated from manufacturers in a single online source.

With Autodesk Seek, you can reach your target audience by making your building products visible to the millions of highly motivated Autodesk Revit® and AutoCAD® designers who can specify your products directly into their BIM models or drawings.

Visit  http://seek.autodesk.com.

The console would shimmer and sparkle and, after a few seconds, a piping hot serving of tea complete with cup and saucer would materialize, ready for drinking.

The technology was known as a “replicator” because it replicated real things out of thin air. But, as it eventually turns out with much of Star Trek ’s gadgetry, the technology is not so fantastical after all.

“It’s not Star Trek anymore,” says Cathy Lewis, chief executive of Desktop Factory, a company that is making its own version of replicators. “It’s reality.”

Real-world replicators, also known as additive fabrication machines or “3D printers,” have actually existed for 20 years and were first used by industries that traditionally hop on board new gadgetry early, such as the military, aerospace and health sectors.

While they can’t create food and aren’t quite instantaneous, they can make objects out of thin air. They are also on the verge of breaking out into the mass market.

Early 3D printers were hulking behemoths and were extraordinarily slow and expensive. Today, the devices are considerably cheaper and smaller, and virtually every industry that needs to create prototypes of product models — from toy and hairbrush makers to toaster and cellphone designers — is using them.

“There are some companies that don’t have one, but you can’t find an industry without it,” says Joe Hiemenz, communications manager for 3D printer manufacturer Stratasys Inc.

A typical 3D printer is about the size of a filing cabinet or refrigerator. Lower-end models sell for around $20,000 while more advanced versions go for more than $1 million. The largest machines can create objects measuring three feet by two feet by three feet. A small item like a pen takes a few hours to print while the largest objects require closer to a day and a half.

The devices work similar to everyday inkjet printers in that they print from computer files. The printers take three-dimensional objects designed in a computer-aided design (CAD) program and slice them into hundreds of layers, each about the thickness of a hair, then print each layer out one at a time from the bottom up. Each layer is treated with heat and pressure and hardened into plastic, then the next layer is printed. The end result is a three-dimensional model made of solid plastic.

While the majority of 3D printers only produce grey or black models, some manufacturers are beginning to add different colours.

The main benefits of a 3D printer to a business, Hiemenz says, are efficiencies and cost savings. Manually creating a prototype out of wood, clay or even plastic generally takes days or even weeks and is more expensive because it usually means outsourcing the work to an expert. 3D printers allows businesses to keep their prototype making in-house.

“It eliminates all the artistic labour in making the model,” he says.

Users tend to love the printers because they allow for the creation of prototype models earlier in the design stage than before. Brookhaven National Laboratory, a research facility in New York, has since September been using a 3D printer to make parts for various projects, including a telescope design.

“Having printed some of these models, we’ve reviewed some problems that we probably wouldn’t have discovered until way down the line,” says Paul O’Connor, a scientist in the lab’s instrumentation division. “The problems that were lurking there would have been found at a later stage and then would have been much more expensive to correct.”

While the price on the printers has come down, they are still out of the reach of the general public. Fewer than 30,000 have been shipped since their inception and the total worldwide industry is estimated to bring in just over $1 billion US a year in revenue.

About 40 manufacturers compete in the market, and all of them are small. Printing giants such as Xerox and HP are dabbling in the technology but have not yet released products.

The dynamics of the market could soon change, however, with at least one player aiming to broaden the appeal of 3D printers. Desktop Factory, a small company based in Pasadena, Calif., plans to release a compact $5,000 US printer in early 2009 with the small-business user in mind.

The unit, which is about as big as a microwave, prints hard nylon models up to five by five by five inches. So far, the company has logged more than 350 pre-orders, with the main interest coming from medical and dental practitioners as well as video game and animation programmers, Lewis says.

Desktop Factory aims to get the price down to under $1,000 US over the next three to five years and add different printable inks, such as those that produce flexible or transparent models. That would open up the market to everyday consumers, who could use 3D printers to fabricate household items, such as bendable toys or iPod covers, Lewis says.

“People will be able to disrupt the manufacturing chain and print replacement parts rather than having to drive to Home Depot for something that was manufactured in China,” she says. “We haven’t begun to tap into the users who really need the technology.”
Ink refills an obstacle

One of the potential obstacles to mainstream adoption of the printers, however, is a problem also found with their inkjet cousins — the continuing need for ink refills. Larger printers, such as those produced by Stratasys, are expensive to maintain, with a spool that can produce 50 models selling for $350 US. Desktop Factory is targeting a price of $1 US per cubic inch of ink.

While the continuing investment may deter some users, others say handling their own prototype creation cuts down on overall costs.

“It’s not a big factor,” Brookhaven’s O’Connor says. “We’re saving a good deal of money this way.”

Another factor that could affect widespread adoption of the technology is the public’s unfamiliarity with 3D CAD software. The average home computer user has never encountered software such as Maya and Rhinocerous, which are used to create 3D models.

The solution, Lewis says, is the creation of an online database where users can download pre-built CAD files for printing on their home units. Printer companies or users themselves could create their own files and upload them to share with other people.

Three-dimensional home printers have a way to go before they are adopted in the home, but the day when the average person can make a cup of tea out of thin air may not be so far off.

Coming soon to a home near you: 3D printing

“We are continually pioneering new areas of 3D display for consumers with new display products, stereoscopic 3D software drivers, 3D player groups, events, and networking, 3D content certification and enablement, and system solution partnerships,” stated Thomas Striegler, CEO of iZ3D LLC. Introducing three cutting-edge 3D prototypes at CES is once again proving iZ3D is the defacto industry leader in 3D solutions,” he added.

The new prototypes include: New iZ3D Immersion Series that gives users an incredible total 3D effect. It is a Triple iZ3D monitor setup with a flight or racing game simulator that really puts players in the experience!

In addition the company will be showcasing a demo retail box and system setup displayed at iZ3D retail locations with self-running software demo and signage. A Far Cry 2 themed, custom painted iZ3D monitor and matching system from Intel. Attendees will be able to take an up-close look at the incredible limited edition Smooth Creations painted iZ3D monitors.

The new iZ3D 22-inch monitor price of $399, roughly the price of 5-10 games, includes: a 22-inch widescreen switchable 3D/2D monitor, iZ3D output and anaglyph output drivers, 3 pairs of passive linear polarized glasses, all power and video cables, a quick start guide, a 1 Year warranty, technical support and free membership in iZ3D’s upcoming 3D gaming league.

iZ3D also offers the 22-inch monitor in six special edition custom-painted models created by Smooth Creations. These models, available only at www.iz3d.com, were commissioned at the request of customers that wanted their 3D monitors to stand out at LAN parties and grab attention. The custom-painted monitor price has also been reduced to $549.00

www.gameindustry.com

Publishing your models to the Google 3D Warehouse is a great way to showcase your work. If you model 3D buildings and would like to share them with the world, you can do so through the “Best of the 3D Warehouse” layer in Google Earth. Only the very best models are selected for inclusion in this layer, but here are some helpful guidelines (pdf) that will improve your chances. Learn more about getting added to this layer.

It is marketed as an easy-to-use conceptual tool with a simple interface. A well known feature in the SketchUp World is the 3D Warehouse. Users can use their Google Accounts to upload models, and then browse the 3D Warehouse for many components and models.

Some of its key features and uses include:

• A “smart” drawing cursor (inference) system that allows users to draw 3D objects using a 2D screen and mouse.
• Simple massing study capability via “push-pull”.
• “Follow Me,” which creates 3D forms by extruding 2D surfaces along predetermined paths.
• Ability to animate camera and sun movements.
• Interoperability with Google Earth

SketchUp was developed by startup company @Last Software, Boulder, Colorado which was formed in 1999. SketchUp was first released in August 2000 as a general purpose 3D content creation tool. It won a Community Choice Award at its first tradeshow in 2000. It quickly found a market in architecture and building design industries and was revised to suit the needs of working professionals. The key to its early success was in its fast learning curve, allowing for a shorter learning period than other commercially available 3D tools.

As of SketchUp 5, features were added to allow the user to extrude and widen as well as the ability for a face to “follow” the cursor around an object.

On March 14, 2006, Google acquired @Last Software, attracted by their plugin for Google Earth.

On January 9, 2007, SketchUp 6 was released, featuring a handful of new tools as well as a beta version of Google SketchUp LayOut. LayOut includes a handful of 2D vector tools, as well as page layout tools making it easier for professionals to create presentations without jumping to a third-party presentation program.

On February 9, 2007, a maintenance update was released. It corrects a number of bugs, but brings no new features.

On April 27, 2006, Google announced Google SketchUp, a freely-downloadable version of SketchUp. The free version is not as capable as SketchUp Pro 6, but it includes integrated tools for uploading content to Google Earth and to the Google 3D Warehouse, a repository of models created in SketchUp.

The free version of Google Sketchup exports to a number of 3D formats, including Google Earth .kmz files, while the Pro version extends support to include .3ds, .dwg, .dxf, .fbx, .obj, .xsi, and .wrl file formats. Google SketchUp can also save “screenshots” of the model as .bmp, .png, .jpg, .tif, with the Pro version also supporting .pdf, .eps, .epx, .dwg, and .dxf.

Ruby Application Programming Interface (API)

Ruby is a scripting language whose use in SketchUp was first introduced in SketchUp 4. Since its introduction SketchUp users have shown their creativity by creating hundreds of useful tools using SketchUp Ruby.

There is a Hello World Tutorial for Google SketchUp about creating dialog boxes.

Other Information

• Developed by  Google (previously @Last Software)
• Initial release  August 2000
• Latest release  6.4.112 (Windows) / 6.4.120 (Mac OS X) / December 14, 2007
• OS  MS Windows 2000/XP/Vista, Apple Mac OS X (10.4-10.5) (Universal Binary)
• Available in  English, French, Italian, German, Japanese, Spanish
• Type  3D computer graphics
• License  Freeware/Proprietary

Links

• Website  www.sketchup.com
• Google 3D Warehouse
• SketchUp Video Tutorials
• SketchUp Google Group
• SketchUp – Wikipedia

Green design professionals are particularly taken with the program. Widely praised by the architecture and design community for its “intuitive” nature, SketchUp, one of the few 3D rendering programs on the market, is also by far the easiest one to use. And its integration with Google Earth and the Google 3D Warehouse has elevated the program from a simple design tool to a location-based, product-inclusive architectural design powerhouse. As a result, SketchUp is nurturing a growing ecosystem of green design startups.

Getting energy, water, and carbon information into the design process early on was once a costly, if not impossible, endeavor. But the sooner modeling and analysis tools are involved in the process, the bigger the questions that designers can ask, and the more impact they can have on the final design. “The software tool you choose is always going to arise from the question that you’re asking,” says Chris Meek, a University of Washington professor who heads up the Integrated Design Lab in Seattle. “What role do these tools have in their design process? What’s it going to affect in the design?”

Modeling Landscape Features

Out of the box, SketchUp offers some great features for green design, which the clean-tech-happy Google has been quick to promote. Because it integrates smoothly with Google Earth, SketchUp users can punch in the actual latitude and longitude of their project site to visualize buildings in their real-life context. That not only helps designers communicate to their clients how the project will look, but allows them to accurately model how nearby landscape features and structures will cast shadows over the building—useful for fine-tuning a building’s site orientation or window placement to cut energy use, or for positioning solar panels.

A handful of startups (and even the federal government are working to soup up the SketchUp toolbar with energy analysis plug-ins that support even more detailed information about materials used and spatial relationships within the building. For the startups, it’s a way to raise visibility for their own proprietary tools.

Integrated Environmental Systems (IES) offers VE-Ware, a free energy and carbon analysis tool that benchmarks designs against the energy reduction goals of the Architecture 2030 Challenge, as a free Windows-only plug-in. The professional versions of IES’s Virtual Environment software can provide more detailed analysis and its consulting practice can help make sense of the data analysis for those new to the world of green building design.

Pro Version Is Pricey

Demeter, an energy analysis plug-in from Greenspace, lets users dig deeper into how much energy their design might use by taking into account details such as surface materials. By gathering this kind of information, the program allows architects to quickly export the model to Green Building Studio, a sophisticated analysis program developed by Greenspace that was acquired by Autodesk in June, and run a complete energy modeling analysis report. (Since it requires users to export their data, this plug-in isn’t available for those using the free version of SketchUp. The Pro version, which integrates presentation tools and allows users to export their models into other design programs, costs $495 a pop.)

With a growing number of green designers using SketchUp, green building product manufacturers have gotten into the game as well. SketchUp integrates seamlessly with the Google 3D Warehouse, and as architects pull together models of their home designs, they can stock their models with everything from paint to doors to dishwashers from its reserves. Need a toilet for your bathroom model? Find one in the 3D Warehouse and download it into SketchUp.

For the many startup companies marketing green building products, SketchUp can be an inexpensive way to break into the market. While not every green building product manufacture is already SketchUp savvy, the easy-to-use program lowers the bar for learning. If that’s still too much of a challenge, Blue Marble Project is one startup aiming to get green building product companies into this market.

Whirlpool and West Elm on Board

Started by the guys who launched Go2School, an educational podcast series on using SketchUp, Blue Marble Project creates models of a company’s products with information about their size, shape, surfaces, environmental properties, and even their SKU numbers. The company, launched in 2007, has been gradually adding new clients, including Whirlpool and West Elm, according to co-founder Mike Tadros.

While integration with Google Earth allows SketchUp to position digital models in the real world, the 3D Warehouse lets green design move the other direction as well.

Google’s SketchUp Helps Design Go Green – BusinessWeek

The company will focus on driving awareness and adoption of conscientious building practices among developers and contractors by delivering solutions that help in making its implementation easier and more efficient. The announcement was made at a press conference held yesterday (September 9, 2008) at ‘The Monarch Hotel’ Dubai, where Ahmad Al Jassim, Country Manager, Autodesk, Middle East; Louis Khoury, Industry Sales Development Manager, Autodesk, Middle East; and Christian Rust, AEC Sales Development Manager, Autodesk, EMEA Emerging, highlighted the industry-leading Autodesk Revit solutions and Autodesk 2009 portfolio.

The UAE is witnessing the rise of many innovative and landmark projects, which have adopted sustainable design principles in line with the directive issued by Sheikh Mohammed bin Rashid Al Maktoum. At present, there are over 70 buildings in Dubai and Abu Dhabi awaiting green building certifications, which is a clear indication of the industry’s steady movement towards the total adoption of green building guidelines. A part of Autodesk’s strategy in further driving the awareness for sustainable design is highlighting the outstanding benefits of its solutions, which enable architects and developers to minimise water and electricity usage thereby leading to significant savings for property developers over the long term and the lessened production of harmful pollutants.

Speaking at the press conference, Christian Rust, AEC Sales Development Manager, Autodesk, EMEA Emerging, said, “As the largest construction market in the region, we have identified the UAE as a strategic location to launch our region-wide campaign to encourage the adoption of sustainable design principles in the construction sector. Amidst the growing popularity of sustainability principles, regional and international property developers are seeking advice on green building compliance, which presents us with a perfect opportunity to disseminate vital information. Additionally, our collaboration with the world’s leading architects, engineers, and product designers to develop our Revit solutions and the Autodesk 2009 portfolio attests to our commitment to ethical construction strategies for a cleaner and healthier environment.”

Recent industry statistics show that a building in the UAE uses up to an average of 30,000 kilowatt hours of electricity per month, 70 per cent of which is allocated for air conditioning. According to Emirates Green Building Council (EGBC), a structure constructed in accordance to sustainable principles can achieve energy savings of up to 50 per cent, bringing significant cost cutbacks for property developers. By utilising Autodesk’s building design software, which has been purpose-built for building information modeling (BIM), developers can further benefit from a multitude of technologies that will ensure a significant reduction in time, resources and costs necessary to create truly sustainable buildings.

“The fact that green buildings increase the property asset value for developers and its many advantages in the environmental front are the two main focuses of our efforts to bring our Revit solutions to a larger number of developers across the region. Our goal is to help customers incorporate sustainable design principles into their practice, thereby increasing their energy efficiency while facilitating a more accurate evaluation of their project’s lifecycles,” concluded Louis Khoury, Industry Sales Development Manager, Autodesk, Middle East.

Autodesk is committed to driving awareness and adoption of sustainable design through public and private partnerships with organizations such as the U.S. Green Building Council and Integrated Energy Solutions.  Autodesk also provides technology, education and support for initiatives that inform and promote innovations that address current and future sustainable design challenges. This involves an active role in spearheading programs such as the ‘Autodesk – Enterprise Gold Program’ for corporate businesses, which offer Autodesk experts’ personalized attention, higher ROI and productivity of software investments, and access to an elevated level of technical support, which can aid organizations attain their business needs as well as their sustainability goals.

albawaba.com middle east news information::Autodesk launches sustainable design campaign within AED 812 billion UAE construction industry

The Happening

The Third Floor, a Los Angeles-based digital studio, used Autodesk Maya 3D modeling software and Autodesk MotionBuilder character animation software to craft several of The Happening’s signature moments. The film’s car crash and lion attack scenes were pre-visualized in Maya. This enabled director M. Night Shyamalan to approve the intent of performances and camerawork in advance of filming.

“Autodesk Maya is our directors’ sandbox,” said The Third Floor CEO Chris Edwards. “It allows us to create anything our clients can imagine.”

The Chronicles of Narnia: Prince Caspian

Using Maya and MotionBuilder, The Third Floor also designed and pre-visualized three major sequences for The Chronicles of Narnia: Prince Caspian: the River God, Lucy’s Dream and the End Battle. This process allowed The Third Floor to stage the action and propose alternative shot ideas to director Andrew Adamson, adding further depth and detail to the story.

Hancock

Sony Pictures Imageworks (SPI) completed over 500 shots in Hancock using Maya and the Autodesk Flame visual effects system. “Major sequences such as the Hollywood Fight, the Hospital Battle and the SUV Chase couldn’t have been created without Maya and Flame,” said SPI senior visual effects artist Todd Mesher. “Their creative tools and interactivity make them key to our digital pipeline.”

Journey to the Center of the Earth

Visual effects studio Frantic Films VFX served as a visual effects provider for the stereoscopic feature film Journey to the Center of the Earth. In addition to designing a custom character pipeline for the film, Frantic Films VFX also built a stereoscopic pipeline. These pipelines included Autodesk software, used to produce more than 180 shots. All animation and lighting was created with Autodesk 3ds Max 3D animation software, which was also used extensively in the ocean sequences. In addition, Autodesk Mudbox software was used to sculpt creatures.

“Once again, 3ds Max software’s power and flexibility were indispensable,” said Frantic Films VFX visual effects supervisor Chris Harvey. “The software’s scriptability made it the backbone of our digital pipeline. As well, we forged new ground in creature animation and were extremely happy with the software’s performance.”

Digital Color Grading at EFILM

Numerous films were completed by EFILM, using its EWORKS system for the digital intermediate. The EWORKS system consists of a proprietary configuration of Autodesk Lustre and Autodesk Incinerator technology. Films included Horton Hears a Who, The Ruins, Nim’s Island, Sex and the City, Iron Man, Indiana Jones and the Kingdom of the Crystal Skull, What Happens in Vegas, Red Belt, The Incredible Hulk, Wanted and Get Smart.

Leading visual effects and animation facilities continued the tradition of relying on Autodesk technology to deliver the majority of Hollywood blockbusters released this summer, including:

• Get Smart: DIGIT did the majority of compositing work with Flame and Autodesk Combustion desktop compositing software. In addition, DIGIT built all the 3D parachutes in Maya.
• Indiana Jones and the Kingdom of the Crystal Skull: Industrial Light & Magic completed 540 shots (48 minutes of screen time) with Maya and the Autodesk Inferno system as part of its proprietary Sabre system. Maya was used for modeling, creature development and particle work.

• Iron Man: Industrial Light & Magic completed 410 shots with Maya and Inferno as part of its Sabre system.
• Kung Fu Panda: DreamWorks used Maya and Lustre.
• Meet Dave: CIS Hollywood completed 163 shots for the film, with approximately one-third of the film composited with Inferno. Using Maya and MotionBuilder, The Third Floor pre-visualized five sequences that involved elaborate interaction between the aliens and the real world.
• The Mummy: Tomb of the Dragon Emperor: Digital Domain used Maya extensively to animate the emperor in his changing liquid-solid state. The company also incorporated Maya nCloth when creating the Foundation Army’s flags and desiccated clothing. Rhythm & Hues used Mudbox to model dragons, Nion and Yeti.
• The Incredible Hulk: Rhythm and Hues completed 234 shots, using Maya and Mudbox extensively for modeling both the Hulk and the Abomination characters. Maya was also used to model vehicles and objects.
• Tropic Thunder: CIS Vancouver used Maya, Inferno and Flame. CIS Hollywood primarily used Maya, along with 3ds Max, Inferno and Flame.
• X-Files: I Want to Believe: Entity FX supervised almost 400 visual effects shots, which included the use of Inferno and Maya. A large portion of the work involved radically altering shot environments through digital weather effects, such as photorealistic, computer-generated snow.

Original article

The 16,500-square-foot Gallery, located at One Market Street, is the first space in the San Francisco Bay Area dedicated to the spirit of design innovation, with 20 exhibits including the California Academy of Sciences, Ford Shelby GT500, Cathedral of Christ the Light in Oakland, Calif., and the San Francisco-Oakland Bay Bridge seismic retrofit. The space is intended as a location where designers can discuss the latest in technology and be inspired by others’ work.

“The Autodesk Gallery showcases the work of our customers from across a number of industries, including architects, engineers, manufacturers, film makers, video game developers and artists,” said Carl Bass, Autodesk president and CEO. “The exhibits encourage rich conversations about the latest design software and provide an ideal environment for industry collaboration.”

The Gallery is also intended to become a meeting space for the design industry. “The Autodesk Gallery is an inspiring space where we can also interact with the community-schools, industry groups and local and visiting designers,” said Bass. The Autodesk Gallery will be open to the public on the first Wednesday of each month from 1 to 5 p.m. beginning October 1st, 2008.

Designed to achieve a LEED-Commercial Interiors Platinum certification rating, the space takes green interior design to the highest level and includes daylight and views, recycled material, certified renewable lumber, local manufacturing and renewable energy.

Design News – Autodesk Gallery at One Market Opens in San Francisco – TAXI Design Network