Autodesk, Inc. (NASDAQ: ADSK) today launched Autodesk Mudbox 2009 software for 3D modelers and texture artists working on entertainment and design projects.  Mudbox combines an intuitive user interface with a powerful toolset for creating highly-detailed 3D models. The software gives artists the freedom to create without worrying about technical details. Mudbox has shaped characters in blockbuster movies and games, including Journey to the Center of the Earth, The Mist and Mass Effect.

“Our goal is to make early stage digital assets resemble their final ‘on-screen’ forms as closely as possible,” said Dave Cardwell, Mudbox product designer at Autodesk Media & Entertainment. “Starting with accurate models makes the production process more efficient and provides a higher-quality end result. For example, you’d want to know early on whether a prominent brow will shadow a character’s eyes. That’s why Autodesk Mudbox 2009 has texture painting tools and on-target display features; these will help artists build and refine better 3D models.”

“The introduction of Autodesk Mudbox 2009 sparks a revolution in computer graphics tools, bringing about a paradigm shift in how designers and artists do their work,” said Habib Zargarpour, senior art director at Electronic Arts.

Dan Platt, modeler at Disney Animation Studios, said, “Time is money. An Autodesk Mudbox session begins with its artist-friendly, intuitive interface. This is sculpting at the speed of thought with the greatest of fidelity. In a business where new ideas with impossible deadlines are commonplace, Mudbox never lets me down.”

New Feature Highlights in Autodesk Mudbox 2009

Texture Painting
A new, production-ready toolset makes it easy for artists to paint multiple diffuse, bump, specular, and reflection textures across multiple high-resolution maps on their models:

• Users can paint directly on 3D models to add detail precisely where it’s required, regardless of UV distortion or surface complexity.
• Reference images can be painted onto a model from screen space using the new Projection brush.
• Users can paint multiple maps on multiple UV tiles simultaneously and assign multiple UV tiles on a single mesh.

Performance Enhancements
Recognized for its ability to handle data-heavy models, the latest version of Mudbox offers greater interactivity while working on high-resolution meshes. In particular, camera manipulation and brush speed have been improved, enabling artists to work interactively with 3D models that are fully subdivided into tens of millions of polygons across the entire mesh.

On-Target Display
Mudbox 2009 includes a host of rendering technologies that leverage the power of the OpenGL application programming interface (API) and today’s powerful graphics cards. The software offers an accurate, on-target environment for real-time evaluation as the digital asset is manipulated, as well as for enhanced interactive presentations to clients and art directors.

Improved Interoperability with Autodesk Maya and Autodesk 3ds Max
Mudbox 2009 provides enhanced interoperability with Autodesk Maya and Autodesk 3ds Max software through improved matching of normal and displacement maps produced by Maya and 3ds Max.

Artist-Friendly User Interface
Mudbox 2009 continues to deliver a highly intuitive user interface that gives artists the freedom to focus on the art of 3D modeling.

For a complete list of new features and enhancements in Autodesk Mudbox 2009, visit www.autodesk.com/pr-mudbox.

Pricing and Availability
Autodesk anticipates that Mudbox 2009 will be available in October 2008. Mudbox 2009 will be supported on the Microsoft Windows XP Professional and Microsoft Windows Vista operating systems.  Autodesk suggested retail pricing is $745 USD*.

*International pricing may vary.

Sample Gallery:

Autodesk Mudbox

CINEMA 4D is a commercial cross platform high-end 3D graphics application produced by MAXON Computer GmbH of Friedrichsdorf, Germany. It is capable of procedural and polygonal/subd modeling, animating, lighting, texturing and rendering, and is noted for being very easy to use and artist friendly among high end 3D applications and having a very flexible interface.

CINEMA 4D is a popular 3D application amongst matte painters in film largely due to the BodyPaint 3D functionality and is equally popular amongst motion graphics artists thanks to an excellent integration with compositing application pipelines coupled with a very artist-friendly and customizable workflow and interface. It has been utilized for films such as We Are the Strange, Polar Express, Open Season and Monster House.

The application relies on widely used computer 3D technology which works by creating groups of “points” (known as vertices) which form surfaces when connected. The illusion of three dimensions is created by modeling objects out of multiple surfaces. Still pictures, movies and game environments (among other things) can be created with this technique.

CINEMA 4D has its own runtime scripting and programming language C.O.F.F.E.E. which is rather similar in form to JScript and an advanced modern C++ API with extensive SDK to develop platform independent plug-ins.

Four different packages have been released by MAXON: the core CINEMA 4D application, the XL-Bundle (including NET Render [3 licenses], PyroCluster, Advanced Render, MOCCA and Thinking Particles), the Studio Bundle, which includes all modules, and the Production Bundle, which comes with a service contract, Linux version, Renderman support and a number of other high-end studio-specific features. This version is only available upon request.

Initially, CINEMA 4D was developed for Amiga computers in the early nineties but has since been released for Mac OS X, Microsoft Windows.

MAXON has created a way for all users to be able to ‘get into’ 3D with their software by pursuing this route. Training DVD in addition to install DVD for R10: More than 6GB of video tutorials in German or English. MAXON bundles HTML manuals and tutorials/videos with its software. New in release 10 are context sensitive help menus.

CINEMA 4D has been embraced by the Adobe After Effects community because of C4D’s external compositing tags and object IDs which make exporting 3D data and separate alpha and depth information efficient and simple. Because the export feature also supports Apple’s Final Cut Pro and other popular software, it fits well into several post production studio configurations.

Modules

As well as the core application (for modeling, texturing, lighting and rendering), CINEMA 4D also has several add-on programs (modules) available that expand its capabilities. These programs include:

• Advanced Render (global illumination/HDRI, caustics, ambient occlusion and sky simulation)
• BodyPaint 3D (direct painting on UVW meshes)
  • With CINEMA 4D R10 the module BodyPaint 3D became integrated in the basic package
• Dynamics (for simulating soft body and rigid body dynamics)
• HAIR (simulates hair, fur, grass, etc.)
• MOCCA (character animation and cloth simulation)
• MoGraph (Motion Graphics procedural modeling and animation toolset)
• NET Render (to render animations over a TCP/IP network in render farms)
• PyroCluster (simulation of smoke and fire effects)
  • With CINEMA 4D R10 the module PyroCluster became integrated in the Advanced Render module
• Sketch & Toon (tools for cel shading, cartoons and technical drawings)
• Thinking Particles (enhanced particle system based on nodes)

Additional rendering engines

As-of 2007, these alternate rendering engines / connections are currently available for CINEMA 4D as plug-ins:

• finalRender stage 2.0 SP4 from Cebas Computer GmbH
• Maxwell Render from Next Limit Technologies
• Renderman Connection from MAXON Computer GmbH
• Indigo Renderer
• SunFlow
• V-ray

Other Information:

• Developed by MAXON Computer GmbH
• Latest release R11 / September 1, 2008
• OS Mac OS X, Windows
• Type 3D computer graphics
• License Proprietary
• Website http://www.maxon.net

Blender is available for several operating systems, including Microsoft Windows, Mac OS X, Linux, IRIX, Solaris, NetBSD, FreeBSD, OpenBSD with unofficial ports for BeOS, SkyOS, AmigaOS, MorphOS and Pocket PC. Blender has a robust feature set similar in scope and depth to other high-end 3D software such as Softimage|XSI, Cinema 4D, 3ds Max, Lightwave and Maya. These features include advanced simulation tools such as rigid body, fluid, cloth and softbody dynamics, modifier based modeling tools, powerful character animation tools, a node based material and compositing system and Python for embedded scripting.

Blender was developed as an in-house application by the Dutch animation studio NeoGeo (not to be confused with the Neo-Geo game console) and Not a Number Technologies (NaN). It was primarily authored by Ton Roosendaal, who had previously written a ray tracer called Traces for Amiga in 1989. The name “Blender” was inspired by a song by Yello, from the album Baby.

Roosendaal founded NaN in June 1998 to further develop and distribute the program. The program was initially distributed as shareware until NaN went bankrupt in 2002.

The creditors agreed to release Blender under the terms of the GNU General Public License, for a one-time payment of €100,000 (US$100,670 at the time, approximately US$147,000 as of January 2008). On July 18, 2002, a Blender funding campaign was started by Roosendaal in order to collect donations and on September 7, 2002 it was announced that enough funds had been collected and that the Blender source code would be released. Blender is now Free Software and it is being actively developed under the supervision of the Blender Foundation.

The Blender Foundation initially reserved the right to use dual licensing, so that, in addition to GNU GPL, Blender would have been available also under the “Blender License”, which did not require disclosing source code but required payments to the Blender Foundation. However, this option was never exercised and was suspended indefinitely in 2005. Currently, Blender is solely available under GNU GPL.

Suzanne

In January/February 2002 it was quite clear that NaN could not survive and would close the doors in March. Nevertheless, they found the energy for doing at least one more release, 2.25. As a sort-of Easter egg, a last personal tag, the artists and developers decided to add a chimpanzee primitive. It was created by Willem-Paul van Overbruggen (SLiD3), who also named it Suzanne, after the chimpanzee in the Kevin Smith film Mallrats.

Suzanne is Blender’s alternative to more common “test models” such as the Utah Teapot. A low-poly model with only 500 faces, Suzanne is often used as a quick and easy way to test material, texture, and lighting setups, and is also frequently used in joke images. The largest Blender contest gives out an award called the Suzanne Awards.

Features

Blender has a relatively small installation size and runs on several popular computing platforms. Though it is often distributed without documentation or extensive example scenes, the software contains features that are characteristic of high-end modelling software. Among its capabilities are:

• Support for a variety of geometric primitives, including polygon meshes, fast subdivision surface modeling, Bezier curves, NURBS surfaces, metaballs, digital sculpting, and outline fonts.
• Versatile internal rendering capabilities and integration with YafRay, a Free Software ray tracer.
• Keyframed animation tools including inverse kinematics, armature (skeletal), hook, curve and lattice-based deformations, shape keys (morphing), non-linear animation, constraints, vertex weighting, soft body dynamics including mesh collision detection, LBM fluid dynamics, Bullet rigid body dynamics, particle based hair, and a particle system with collision detection.
• Modifiers to apply non-destructive effects.
• Python scripting for tool creation and prototyping, game logic, importing and exporting from other formats such as OBJ, FBX, DXF, COLLADA and task automation.
• Basic non-linear video/audio editing and compositing capabilities.
• Game Blender, a sub-project, offers interactivity features such as collision detection, dynamics engine, and programmable logic. It also allows the creation of stand-alone, real-time applications ranging from architectural visualization to video game construction.
• A fully integrated node based compositor within the rendering pipeline

File format

Blender features an internal filesystem that allows one to pack multiple scenes into a single file (called a “.blend” file).

• All of blender’s “.blend” files are forward, backward, and cross-platform compatible with other versions of blender, and can be used as a library to borrow pre-made content.
• Snapshot “.blend” files can be auto-saved periodically by the program, making it easier to survive a program crash.
• All scenes, objects, materials, textures, sounds, images, post-production effects for an entire animation can be stored in a single “.blend” file.
• Interface configurations are retained in the “.blend” files, such that what you save is what you get upon load. This file can be stored as “user defaults” so this screen configuration, as well as all the objects stored in it, is used every time you load blender.

However, a “.blend” file is less a structured specification of objects and relationships and closer to a direct binary dump of the program’s memory space. This makes it very hard to convert a “.blend” file to another format using external tools, although dozens of import/export scripts that run inside Blender itself, accessing the object data via API, make it possible to inter-operate with other 3D tools.

Blender organises data as various kinds of “data blocks”, such as Objects, Meshes, Lamps, Scenes, Materials, Images and so on. An object in Blender consists of multiple data blocks - for example, a polygon mesh has at least an Object and Mesh data block, and usually also a Material. This allows various data blocks to refer to each other; there may be, for example, multiple Objects that refer to the same Mesh, allowing the mesh to be duplicated while only keeping one copy of the mesh data in memory, and allowing subsequent editing of all duplicated meshes at the same time. Data block relationships can also be changed manually. Data blocks can also be referred to in other .blend files, allowing the use of .blend files as reusable object libraries.

Comparison with other 3D software

Blender has a depth and breadth of features comparable to commercial, proprietary, high end and mid range 3D software. A fairly comprehensive comparison between the available 3D software can be viewed at the TDT 3D comparison of major 3D packages and at this comparison chart. Blender has areas where it is more limited than many of its commercial counterparts such as a lack of Font Preview for text, lack of NGon based modeling workflow and some missing or incomplete modeling tools, and a lack of a standard library of material presets but does have downloadable resources; however, in other areas Blender is on the leading edge such as the advanced algorithms utilized for its UV unwrapping.

Until recently, Blender has also tended to lack up-to-date and complete documentation (because it was originally an in-house program), an issue that is being addressed through the wikification of the Blender documentation project, the 2006 Blender Summer of Documentation project, and the June 2007 introductory book “Essential Blender”, which was published by Blender Foundation. Additionally, a number of other books on using Blender have been published by publishers unaffiliated with the Blender Foundation.

The Blender installer is only 8 Mb and only requires 27 Mb after installation, whereas software like AutoCAD requires around 2 GB. As such, Blender can be easily downloaded (although some guide books still include Blender on a CD).

Development

Since the opening of the source, Blender has experienced significant refactoring of the initial codebase and major additions to its feature set.

Recent improvements include an animation system refresh; a stack based modifier system; an updated Particle System (which can also be used to simulate hair and fur); fluid dynamics; soft body dynamics; GLSL shaders support in the game engine; advanced UV unwrapping; a fully recoded render pipeline, allowing separate render passes and “render to texture”; node based material editing and compositing.

Part of these developments were fostered by Google’s Summer of Code program, in which the Blender Foundation participated in 2005, 2006 and 2007.

For a more complete and in depth view of Blender’s development history, you can view the release logs.

The current version is 2.47. Primarily a bug-fix release for the previous 2.46 version.

Support

In the month following the release of Blender v2.44, it was downloaded 800,000 times;[8] this worldwide user base forms the core of the support mechanisms for the program. Most users learn Blender through community tutorials and discussion forums on the internet such as Blender Artists (previously known as elYsiun); however, another learning method is to download and inspect ready-made Blender models, available from resource sites such as the Official Blender Model Repository.

Numerous other sites, for example Blenderart Magazine—a free, downloadable magazine with each issue handling a particular area in 3D development—and Blendernation, provide information on everything surrounding Blender, showcase new techniques and features, and provide tutorials and other guides.

Usage in the media industry

The first large professional project in which Blender was used was in Spider-Man 2, where it was primarily used to create animatics and pre-visualizations for the storyboard department.

“As an animatic artist working in the storyboard department of Spider-Man 2, I used Blender’s 3D modeling and character animation tools to enhance the storyboards, re-creating sets and props, and putting into motion action and camera moves in 3D space to help make Sam’s vision as clear to other departments as possible.” - Anthony Zierhut, Animatic Artist, Los Angeles

Friday or Another Day was the first 35mm feature film to use Blender for all the special effects, made on GNU/Linux workstations. It won a prize at the Locarno International Film Festival. The special effects were by Digital Graphics of Belgium.

Blender has also been used for shows on the History Channel, alongside many other professional 3D graphics programs

Links:

• Official website
• Download Blender
• Blender (software)

Early history & Releases

The original 3D Studio product was created for the DOS platform by the Yost Group and published by Autodesk. After 3D Studio Release 4, the product was rewritten for the Windows NT platform, and originally named “3D Studio MAX.” This version was also originally created by the Yost Group. It was released by Kinetix, which was at that time Autodesk’s division of media and entertainment. Autodesk purchased the product at the second release mark of the 3D Studio MAX version and internalized development entirely over the next two releases. Later, the product name was changed to “3ds max” (all lower case) to better comply with the naming conventions of Discreet, a Montreal-based software company which Autodesk had purchased. At release 8, the product was again branded with the Autodesk logo, and the name was again changed to “3ds Max” (upper and lower case). At release 2009, product name changed to “Autodesk 3ds Max”.

Overview

3ds Max is the second most widely-used off the shelf 3D animation program by content creation professionals according to the Roncarelli report. It has strong modeling capabilities, a flexible plugin architecture and a long heritage on the Microsoft Windows platform. It is mostly used by video game developers, TV commercial studios and architectural visualization studios. It is also used for movie effects and movie pre-visualization.

In addition to its modeling and animation tools, the latest version of 3ds Max also features advanced shaders (such as ambient occlusion and subsurface scattering), dynamic simulation, particle systems, radiosity, normal map creation and rendering, global illumination, an intuitive and fully-customizable user interface, and its own scripting language. There is also a plethora of specialized renderer plugins that can be bought separately, such as V-Ray, Brazil r/s , Maxwell Render, and finalRender.

Rendering

• Scanline rendering - The default rendering method in 3DS Max is scanline rendering. Several advanced features have been added to the scanliner over the years, such as global illumination, radiosity, and ray tracing.mental ray
• mental ray is a production quality renderer integrated into the later versions of MAX, and is a powerful rendering tool, with bucket rendering, a technique that distributes the rendering burden between several computers efficiently. The 3ds Max version of mental ray also comes with a set of tools that allow a myriad of effects to be created with relative ease.
• RenderMan - A third party connection tool to RenderMan pipelines is also available for those that need to integrate Max into Renderman render farms.
• V-Ray - A third-party render engine plug-in for 3D Studio MAX. It is widely used, frequently substituting the standard and mental ray renderers which are included bundled with 3ds Max. V-Ray continues to be compatible with older versions of 3ds Max.
• Brazil R/S - A third-party high-quality photorealistic rendering system created by SplutterFish, LLC capable of fast ray tracing and global illumination.
• FinalRender - Another third-party raytracing render engine created by Cebas. Capable of simulating a wide range of real-world physical phenomena.
• Maxwell Render - A third-party photorealistic rendering system created by Next Limit Technologies providing robust materials and highly accurate unbiased rendering.

Features

• MAXScript - MAXScript is a built-in scripting language, and can be used to automate repetitive tasks, combine existing functionality in new ways, develop new tools and user interfaces and much more. Plugin modules can be created entirely in MAXscript.
• Character Studio - Character Studio was a plugin which since version 4 of Max is now integrated in 3D Studio Max helping user to animate virtual characters. The system works using a character rig or “Biped” which is pre-made and allows the user to adjust the rig to fit the character they will be animating. Dedicated curve editors and motion capture data import tools make Character Studio ideal for character animation. “Biped” objects have other useful features that automated the production of walk cycles and movement paths, as well as secondary motion.
• Scene Explorer - Scene Explorer, a tool that provides a hierarchical view of scene data and analysis, facilitates working with more complex scenes. Scene Explorer has the ability to sort, filter, and search a scene by any object type or property (including metadata). Added in 3ds Max 2008, it was the first component to facilitate DotNet managed code in 3ds Max outside of MAXScript.
• DWG Import - 3ds Max supports both import and linking of DWG files. Improved memory management in 3ds Max 2008 enables larger scenes to be imported with multiple objects.
• Texture Assignment/Editing - 3ds Max offers operations for creative texture and planar mapping, including tiling, mirroring, decals, angle, rotate, blur, UV stretching, and relaxation; Remove Distortion; Preserve UV; and UV template image export. The texture workflow includes the ability to combine an unlimited number of textures, a material/map browser with support for drag-and-drop assignment, and hierarchies with thumbnails. UV workflow features include Pelt mapping, which defines custom seams and enables users to unfold UVs according to those seams; copy/paste materials, maps and colors; and access to quick mapping types (box, cylindrical, spherical).General Keyframing
• Two keying modes—set key and auto key—offer support for different keyframing workflows. Fast and intuitive controls for keyframing—including cut, copy, and paste—let the user create animations with ease. Animation trajectories may be viewed and edited directly in the viewport.
• Constrained Animation - Objects can be animated along curves with controls for alignment, banking, velocity, smoothness, and looping, and along surfaces with controls for alignment. Weight path-controlled animation between multiple curves, and animate the weight. Objects can be constrained to animate with other objects in many ways—including look at, orientation in different coordinate spaces, and linking at different points in time. These constraints also support animated weighting between more than one target.
  • All resulting constrained animation can be collapsed into standard keyframes for further editing.
• Skinning - Either the Skin or Physique modifier may be used to achieve precise control of skeletal deformation, so the character deforms smoothly as joints are moved, even in the most challenging areas, such as shoulders. Skin deformation can be controlled using direct vertex weights, volumes of vertices defined by envelopes, or both.
  • Capabilities such as weight tables, paintable weights, and saving and loading of weights offer easy editing and proximity-based transfer between models, providing the accuracy and flexibility needed for complicated characters.
  • The rigid bind skinning option is useful for animating low-polygon models or as a diagnostic tool for regular skeleton animation.
  • Additional modifiers, such as Skin Wrap and Skin Morph, can be used to drive meshes with other meshes and make targeted weighting adjustments in tricky areas.
• Skeletons and Inverse Kinematics (IK) - Characters can be rigged with custom skeletons using 3ds Max bones, IK solvers, and rigging tools.
  • All animation tools—including expressions, scripts, list controllers, and wiring—can be used along with a set of utilities specific to bones to build rigs of any structure and with custom controls, so animators see only the UI necessary to get their characters animated.
  • Four plug-in IK solvers ship with 3ds Max: history-independent solver, history-dependent solver, limb solver, and spline IK solver. These powerful solvers reduce the time it takes to create high-quality character animation. The history-independent solver delivers smooth blending between IK and FK animation and uses preferred angles to give animators more control over the positioning of affected bones.
  • The history-dependent solver can solve within joint limits and is used for machine-like animation. IK limb is a lightweight two-bone solver, optimized for real-time interactivity, ideal for working with a character arm or leg. Spline IK solver provides a flexible animation system with nodes that can be moved anywhere in 3D space. It allows for efficient animation of skeletal chains, such as a character’s spine or tail, and includes easy-to-use twist and roll controls.
• Integrated Cloth Solver - In addition to reactor’s cloth modifier, 3ds Max software has an integrated cloth-simulation engine that enables the user to turn almost any 3D object into clothing, or build garments from scratch. Collision solving is fast and accurate even in complex simulations.
  • Local simulation lets artists drape cloth in real time to set up an initial clothing state before setting animation keys.
  • Cloth simulations can be used in conjunction with other 3ds Max dynamic forces, such as Space Warps. Multiple independent cloth systems can be animated with their own objects and forces. Cloth deformation data can be cached to the hard drive to allow for nondestructive iterations and to improve playback performance.
• Integration with Autodesk Vault - Autodesk Vault plug-in, which ships with 3ds Max, consolidates users’ 3ds Max assets in a single location, enabling them to automatically track files and manage work in progress. Users can easily and safely share, find, and reuse 3ds Max (and design) assets in a large-scale production or visualization environment.

More Information

• Developed by Autodesk Inc.
• Latest release 2009 (11.0) / April 2008
• OS Windows (2000, XP or Vista)
• Type 3D computer graphics
• License Proprietary
• Website www.autodesk.com/3dsmax
• Wikipedia: http://en.wikipedia.org/wiki/3ds_Max